7/27/26

Luis R. Conriquez - Muchacho Alegre Review


 Luis R. Conriquez released "Cheerful Young Man" on July 10th and if you didnt know you liked Mexican music now you know. Hailing from Caborca and quitting his gas station job in 2018, his collaboration with La Adictiva and Peso Pluma got him a shot at the big game. This album cements that shot in my opinion. So many awesome sounds on this album. Guitars, trumpets, charchetas and mad features with Netón Vega, Peso Pluma, Óscar Maydon, Joel de la P, Tito Double P, Grupo Frontera, Fuerza Regida and Puerto Rican urban star Anuel AA. Jam packed with cultural richness and the sound he specializes in corridos bélicos which utilizes narcocorrido lyrical elements, earing him his nickname "El Rey de Corridos Bélicos". 

"Al Chile Pega" is the song I think should represent the album as a whole. The lyrics are very poignant and the wind instruments blend perfectly with the vocal echo effect and percussive stringed accompaniment. "Que Gacho” feat. Netón Vega is basically a whole new sound and departure from most of his music. Guitars blending with vocal harmony set to a story of heartbreak that ends the relationship and sees the person begin a new life with sex. Good stuff. 

So many fantastic tracks and features here, there's never a dull moment. I've included the lyric video of my favorite track, maybe eventually you can find a place to buy it. If it pops up I may drop it down here somewhere. Adios. 



7/25/26

Pixel Grip - Percepticide: The Death Of Reality Review

 


If you've never heard any EDM in your life, maybe get out of the basement, and start here. What you hear in this album is not typical EDM, but a subgenere colloquially referred to as "queer-core" most notably derived from that of DIY punk rock music. This particular iteration of awesome is characterized by a moog, a set of drums, and a vocalist. When "Heavy Handed" came out in '19 there was no indication of the raw power that was to come by '25 in this outing. Taboo lyrical content and party anthem rhythm enough to get paraplegics on the dance floor, "Percepticide" is just what the music scene needed the last couple of years. So much sexual content a sailor might blush in "stamina" as you can watch above, to the heartbreak of "split" and the tracks "noise" & "gonna be faster" almost accomplishing dream pop. This album is eclectic and holds a sound for almost everyone. Some people may find what Pixel Grip does a little over the top and offensive, and to those folks I'd recommend a nice sit down in a quiet room where they aren't affected by anything from this era of civilization.  Good luck trying to buy this. I think there's one copy on discogs for about 200 bucks. Maybe a second pressing is coming soon. Until then there's the KEPX show and previous albums on their website for sale. 

7/19/26

Lambrini Girls - Who Let The Dogs Out: review

 


If you've never heard the riot grrrl music this is a good modern place to start. Fans of Le Tigre, Huggy Bear, Bikini Kill, and The Runaways are probably already familiar with this 2025 release. Carrying the torch for riot grrrl sound into the next stage of music, Lambrini Girls are definitely up to the task. A few sub-genres exist in this album, of which include post-punk. Phoebe Lunny and Selin Macieira-Boşgelmez definitely hit a home run with this LP, and the proceedings singles. Bad Apple opens the record with a very punk filled sound and message that leads all the way through the album. Big Dick Energy being another Riot sound, formulated in the original fashion of the subgenre. No Homo lends to a social connectivity lacking in most modern countries, it seems. Nothing Tastes As Good As It Feels and You're Not From Around Here both have a noise rock tint to them with very punk lyricism. One can definitely hear the social commentary in this record and thankfully the message is not lost to boring instrumentation. Not to point out things people may not want pointed out, but, it is easy to tell both current members are neurodivergent. If you sample this sound, it may be rewarding to go backwards in their catalog until the next release. 



6/22/26

Oliver Tree - Love You Madly Hate You Badly


 

The first half of this record is a conversation with a not so distant ex lover, but the second half seems to be a plea for ones sanity and self resilience. Lyrically I think Oliver Tree was finding sure footing for his own voice in this effort. The musical styling seemed to be more involved and thought out, as his vocal melody seemed to play and weave in and out of the instrumental EDM a little more. Definitely a male vocal pop stand out. "Superhero" is a stand out track on this outing, as well as "Joyride". Following his entire existing catalog I'd suggest this as his most complete thought, mostly dealing with what seems like a failed relationship. As an underrated artist on Atlantic/R&S he started his own imprint "Alien Boy" which I guess is now defunct due to his unfortunate demise in a helicopter accident in Recreio dos Bandeirantes. This album did garner lots of attention because of his performances at key festivals and an ep of a Radiohead cover. One of their best singles in my opinion. If you have time you should check that out also.

Be aware this alum is for mature audiences and does reflect mentally ill thoughts and phrases with an emotional background in toxic relationships. It is a great album, though. I hope one day we will get a physical copy, until then you can buy digital and listen the same way.



6/11/26

Draculas - Midnight City:

 


This band and album could be the best thing to come out of texas since the original Power Trip lineup (ignore the new stuff). A dance craze for all of the kids, and lyrics to hook adults, this album is definitely a contender for "album of the year". Easily more melodic than anything else out now, the band showcases a lyrical prowess unseen out in texas. A bit protopunk, a bit garage, a bit new wave come together to birth their greatest effort yet. Three deep (albums or fingers, who knows) and they have their signature sound in my opinion. Dirtnap ought to be glad they came back, because this record is a killer. By track 3 "Head In The Clouds" you won't know which end is up. "Guys Like Me, Girls Like You" to the slower closer "Wheelhouse" is just a blur of sonic synthesizer savory sex silt. This album really does go down easy, no chaser. There's some Riverboat Gamblers, some Rise Against, and some major art growing in Savage Lord Mic, Sam Francisco, and Pink Rick... All of which come together for an out of this world proper banger. Do yourself a favor and buy the digital at dirtnap or pay EU prices from Wildhoney. Maybe you can find it in the wild. Ten years in the making, don't let it pass you by...

Buy

Vinyl



6/4/26

Getatchew Mekuria And His Saxophone- 1972:

 


If you like instrumental jazz or world folk than this is a great find for you. Lots of entries for these categories can be found butthis Ethiopian entrée is always spinning on my record player. Subtle undertones of African cultural melodies throughout, as it is just saxophone backed by rhythm piano. Re-issued in 2021 the sound quality is still there. Very trance like in melody and rhythm, and very soulful. Gofere/antchi hoyè is the longest and best track in my humble opinion. 



Buy

5/7/26

Home Front Watch It Die:


 If you're a fan of hard-core punk or new wave this is a modern addition for both. Social commentary of modern international chaos and solid instrumentation for a new generation of fans, this is fairly straightforward. It's a little more relatable than their last record, but packs a very hard punch. Some of the lyrics in this outing are very interesting and important especially on an american level. "Dancing With Anxiety" is a standout point as is "Eulogy" as far as an example of thier sound. So many anthemic tracks on this, as chanting hooks and vocals are normal for this band. Terrific for fans of Singalong melody and rhythm. Lots of fun, even if the lyrics are poignant and pointed. 

Listen & Buy

4/17/26

Humankind - Monsoon Season:


 

If you've heard "Big Dawgs" you will understand "Monsoon Season". From the instrumentation to the lyricism, if you're a modern rap fan, this record is probably for you. 

A little screw music dripping on "Big Dawgs" leads into a pretty good experience for the rest of the trip. From the amazing amount of features on this mixtape, to the amazing sound crafted in general, this record flows with tenicity and anecdotal rhyme. Beyond all of the bells and whistles this album has, it also demonstrates a valid point: Humankind is likely here to stay if he wants to. Easily a ten star improvement over their first ep "Surface Level" which was also pretty good. Having Maxo Kream, and Denzel Curry never hurts anyone's probability in my opinion. The remix of his lead single is pretty outrageous and sick as well. Hit it up or be behind the vehicle that is Humankind. If you enjoy a soundtrack to hyperf focus related activity this album is for you. 

Listen

4/8/26

Sacrifice


 With the recent discussion of Big Four the canadian version, I figured we need to discuss this band. Their career is long and storied but this album is as thrash as thrash gets and equally as hard as anything from the US of A. From the opening number of Comatose to my favorite track Black Hashish,  the album as a whole works. Rob Urbinati shows up as always for this record, delivering his harsh crisp vocals as instantly recognizable Sacrifice. 

That being said, there are lots of elements here that span other genres. Personally,  it's what I look for in a thrash album, and this one delivers. Under no circumstance is this record anything other than pit worthy, but, it also showcases true growth and a chip in the game of thrash to argue for Canada being successor to the thrown. 

Joe Rico and Urbinati play off of each other in a winning combo with Pym and Watts bringing up the rhythm to match ferocity and pit worthy sonic violence. Hitting that progressive sound as well, all things considered you're missing out if you dont buckle down and listen in. A year old already this release is here to stay and cemented in the history of hard music forever. 




Buy